Posted: 21 Aug 2009 11:40 AM PDT Londong-based artist Fabien Cappello is making furniture from discarded Christmas trees. I appreciate the idea, but not sure I'd love it in my house... (Via HAUTE*NATURE) |
Posted: 21 Aug 2009 11:38 AM PDT Seeing this all about the blogosphere today. Fun and wonderful!! (Via HAUTE*NATURE) |
Posted: 21 Aug 2009 11:27 AM PDT It's out with the old (location) and in with the new -- they'll be at 55 Washington (down the street from my house!) starting next week. Welcome to the 'hood! (Via The Storque) |
Posted: 21 Aug 2009 11:12 AM PDT Things are looking up, folks! (Via LOHAS) |
Friday, August 21, 2009
Afternoon Snacks!
Tuesday, August 18, 2009
Afternoon Snacks!
- Velvet Ribbon Belt with Rhinestone Buckle
- Make Roman Shades Out of Mini Blinds
- Coverage of the Buyer's Market of American Craft
- Cake Wrecks
- This Guy is Rad (click to see!)
- Robin Nagle Talks Trash
- Old-school Handmade Athletic Gear
Velvet Ribbon Belt with Rhinestone Buckle Posted: 17 Aug 2009 08:15 PM PDT I want this!! By bellebag on Etsy for $38. Etsy's blog, The Storque, is doing a great job covering the massive virtual craft and vintage sale that is Etsy. I'm loving what the various editors and guest bloggers are finding... (As soon as I get my first paycheck...!) |
Make Roman Shades Out of Mini Blinds Posted: 17 Aug 2009 08:05 PM PDT THIS is what I've been waiting for: a do-able way to make shades for my windows using the fabric I want. Now to find some discarded mini blinds... (Via whip up) |
Coverage of the Buyer's Market of American Craft Posted: 17 Aug 2009 07:58 PM PDT The summer BMAC is over in Philadelphia, but the organizer (Rosen Group) covered the show from the floor via their blog, Wholesale Matters. Nice for those of us who didn't get over there for it this year... |
Posted: 17 Aug 2009 07:45 PM PDT I think this is a blog about crazy decorations on, maybe, supermarket cakes? In any case it's bananas. (Hat tip to Mason) |
This Guy is Rad (click to see!) Posted: 17 Aug 2009 02:19 PM PDT Now THAT'S commitment to craft! [via Extreme Craft] |
Posted: 17 Aug 2009 02:13 PM PDT My former grad school prof Robin Nagle is the resident anthropologist of the NYC Dept. of Sanitation. Watch her awesome talk on how garbage defines us and the people who pick up after us. From the Gel Conference. |
Old-school Handmade Athletic Gear Posted: 17 Aug 2009 02:09 PM PDT Super good-looking. By the Lineaus Athletic Company in Marfa, TX. [Via Cool Hunting] |
Tuesday, August 11, 2009
Alabama's Rural Studio in Metropolis Magazine
Tonight I finally got around to reading last month's issue of Metropolis magazine, and the interesting cover story about the Rural Studio in Alabama, a place where social justice and architecture meet. (You can read the article for free online: "Life After Sambo," July 2009.)
The article describes how Samuel "Sambo" Mockbee co-founded the studio in 1992, "determined to improve conditions for poor Southerners and teach architecture students how to make beautiful buildings. Soon, his devotees were schlepping three hours west to Hale County, Alabama... to sire 'shelter for the soul.' as Sambo would have said."
The Rural Studio's mission seems to resonate with that of Berea College in Kentucky, which produced the beautiful handmade brooms, umbrella stands, napkins, and placemats we carried at Greenjeans.
The article is an inspiring piece for anyone with passion for craft and social justice.
It also ties in nicely with tomorrow night's Salon with Bamboo Bikes at the American Craft Council, another socially-conscious craft-based project that I'll be reporting on here later.
Posted by Amy Shaw for Greenjeans.
Image sourced here.
Image sourced here.
Labels:
architecture,
metropolis,
rural studio,
sustainabilty
Thursday, August 06, 2009
Etsy's Luster Tarnishing
If you haven't seen it yet, CNN Money published an interesting piece about Etsy a couple weeks ago written by Jessica Bruder. Discussing it as a business phenomenon, it goes in depth about its growth, as well as the more recent backlash.
There are many reasons to love Etsy, not the least of which is the fact that it's like a 24/7 global craft fair; an amazing online source of advice, how-tos, and celebration of the handmade; and has singularly transformed the marketplace for craft and handmade work. But we know that already.
More interestingly, the article highlights red flags, including the fact that earlier this year Etsy's visionary young founder, Rob Kalin, "quietly took himself off the payroll" citing that the site "was very incomplete and not up to my standards." He is still chair of Etsy's board.
(Kalin is now starting a new venture, called Parachutes, a craft collective based in Red Hook, Brooklyn. I've heard through the grapevine that this is a non-profit, but I don't know much else, and the website isn't filled out yet. As I learn more about this I'll report about it here.)
Another red flag is the fact that a major investor in Etsy is also on the board of Wal-Mart. Jim Breyer has felt the heat from Etsians, but stated last year, "It is possible to be the lead independent director of Wal-Mart and be absolutely passionate about art and crafted goods," he says. "Over time Etsy sellers, as well as Etsy shareholders, can do very well if we stay true to our mission." Seems like a double standard to me, but I don't know the guy myself.
Outrage over these issues and many others are voiced on blogs like Etsy Bitch which also lists online alternatives to Etsy such as Art Fire and Zibbet.
The article adds to the ire spouted in the piece that recently appeared in Double XX, which I blogged about in June.
What once seemed like a gleaming beacon of promise for craft continues to fade from glory. I don't think this has anything to do with the value or power of the handmade. Perhaps it's just a case that things that seem too good to be true usually are.
Posted by Amy Shaw for Greenjeans.
Labels:
etsy
Tuesday, August 04, 2009
Great Programs in Portland (MCC + PNCA + NGW)
In the past two days, the Museum of Contemporary Craft in Portland, OR, and their curator, Namita Gupta Wiggers, have announced two awesome programs that make me fantasize about moving to the Left Coast.
First, I heard the MCC has made free podcasts available of dozens of interviews, lectures, and exhibition walk-thrus. Listen to Otto Nazler, Glenn Adamsom, Denyse Schmidt, Mandy Greer, and many more. You can listen online or download them to iTunes, all for free.
This is a GREAT resource for the craft, art, and design worlds, no matter where in the world you live.
Then today I found out Gupta Wiggers, whom I admire a lot, is going to be offering a course this fall titled "History + Theory of American Craft" at the Pacific Northwest College of Art (which recently merged with the MCC). I would love to take that class, or at least hear the conversations it sparks.
(I'm not even sure if there's anything else like it in other U.S. colleges. If you know otherwise, please post a comment!)
The MCC has some really good-sounding exhibitions on view now, too, including Call + Response which "provides a rare platform for artists and art historians to engage with each with other in dynamic conversation."
I really like how the MCC is directly engaging with the need for different parts of the craft world to dialogue, and to reach beyond the realm of craft (i.e. art, design, academics) for important broader conversations.
They are also doing a good job of letting people know what they're up to through their newsletters and Facebook updates.
And even though I haven't actually visited (yet!), I am constantly excited and inspired by the work the MCC is doing. It gives me a feeling of gratitude and hope. I hope other institutions are taking notes!
P.S.
Not that I'm counting, but this is my 700th blog post. Woot!
Posted by Amy Shaw for Greenjeans.
Image: Namita Gupta Wiggers (l) and Fiberarts editor Marci Rae McDade strike a pose before Darrel Morris’s emboridered piece, Pointing (2002). By Heather Zinger via Museum of Contemporary Craft.
Image: Namita Gupta Wiggers (l) and Fiberarts editor Marci Rae McDade strike a pose before Darrel Morris’s emboridered piece, Pointing (2002). By Heather Zinger via Museum of Contemporary Craft.
Monday, August 03, 2009
Passing Strange and Wonderful: Richard Saja's Shelburne Show Reviewed in ReadyMade
This morning, tipped off by a Facebook status update by embroidery artist Richard Saja, I started my morning with a cup of coffee and the online version of ReadyMade magazine (Aug/Sept 2009 issue).
Saja is the subject of an unconventional exhibition at Vermont's Shelburne Museum this summer, and ReadyMade's Jen Turner was there to cover the story (right here: "How to Catch a Cabin").
The show is titled "The Bright and Shining Light of Irreverence" and features a quasi-domestic site-specific installation of a variety of Saja's work in the museum's Kalkin House. Saja invited a number of other regional artists to help fill out the show. Writes Turner, "Surprisingly enough, it all adds up to a welcoming place where one could imagine spending summer nights sipping mojitos and discussing the weird and wonderful world of Richard Saja."
Quilts, motorbikes, and Lewis Comfort Tiffany are the subject of other exhibitions on view this summer at the Shelburne. I can't imagine a more flavorful weekend trip.
The Bright and Shining Light of Irreverence: Richard Saja and the Historically Inaccurate School
Shelburne Museum
Thru October 25
How to Catch a Cabin
by Jen Turner
ReadyMade (Aug/Sept 2009)
Labels:
embroidery,
museum
Sunday, August 02, 2009
Afternoon Snacks!
Chinese Opera Built from Legos Posted: 01 Aug 2009 05:13 PM PDT I think Lego craft is always awesome, but this is particularly extraordinary. I like how the artist used the mini Lego guys as the "actors" in the bottom of the piece. (Hat tip to Dennis Yuen of Cai'lun <cailun.info>!) |
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